未来，世界被划分为地上与地下两个截然不同的领域。地上世界，被誉为高贵的象征，犹如一座乐园，充满了繁荣与希望。而地下世界，也被称为缇努维尔，则充斥着混乱与无序，人们挣扎在破旧的水泥钢筋之间，艰难求生。绝望与暴力肆虐，武力统治者多姆纳尔等组织在...

未来，世界被划分为地上与地下两个截然不同的领域。地上世界，被誉为高贵的象征，犹如一座乐园，充满了繁荣与希望。而地下世界，也被称为缇努维尔，则充斥着混乱与无序，人们挣扎在破旧的水泥钢筋之间，艰难求生。绝望与暴力肆虐，武力统治者多姆纳尔等组织在...

差不多了，从这里开始吧。

差不多了，从这里开始吧。

お前との毎日が、最高のラブソング。 ライブ後の打ち上げに入った居酒屋で盛り上がるキーボードのミヤ。 トイレに席を立つと、トイレの個室から自分たちの曲が聞こえてくる…。 振り返るとそこには、便座を鍵盤に見立てて弾いている奴がいて……!? 大型ワンコ系音大生×世話焼きバンドマン、 夢と恋にゆれるバンド男子たちの今、そして――。

一九四六年生于和歌山县新宫市。十八岁时，在校内参与发行文艺校刊《车轮》，发表过小说、诗歌。高中毕业后前往东京准备考大学，后来更加入人才辈出的同人志《文艺首都》，受到更大的创作影响，发表了《十八岁》，并开始在《诗学》、《文学界》等杂志上投稿。二十七岁时，发表《十九岁的地图》，被提名角逐第六十九届芥川赏，之后发表的作品多部被提名角逐芥川赏。三十岁时，终于以《岬》获得第七十四届芥川赏。小说《枯木滩》获得第二十八届艺术选奖文部大臣新人赏。四十六岁因肾脏癌病逝。中上健次被评为“日本最后的一位文学家”，他的作品皆以故乡纪洲为背景，内容多反射自己的一生，以文学性强烈且笔触细腻的作品，深受日本广大读者的热爱。

Sheila Melvin lived in China from 1995 until September of 2000. She now splits her time between the US and China, with bases in Baton Rouge and Beijing. Sheila Melvin is a regular contributor to The Asian Wall Street Journal, The Wall Street Journal, The International Herald Tribune, and The New York Times. She often writes on music-related subjects, including Western classical...(展开全部)

Western classical music has become as Chinese as Peking Opera, and it has woven its way into the hearts and lives of ordinary Chinese people. This lucidly written account traces the biographies of the bold visionaries who carried out this musical merger. Rhapsody in Red is a history of classical music in China that revolves around a common theme: how Western classical music ent...(展开全部)

The phenomenon of "Chinatown" has been of great interest to the general public as well as scholars. Movies and story books have made Chinatown to be exotic, mysterious, gangster filled, and sometimes, a gilded ghetto, an ethnopolis, a cultural diaspora as well as a model community. The authors of Chinatowns around the World seek to expose the social reality of Chinatowns with e...(展开全部)

There is nowhere else in the world quite like Chungking Mansions, a dilapidated seventeen-story commercial and residential structure in the heart of Hong Kong’s tourist district. A remarkably motley group of people call the building home; Pakistani phone stall operators, Chinese guesthouse workers, Nepalese heroin addicts, Indonesian sex workers, and traders and asylum seekers ...(展开全部)